greg not hairball wrote:Dirty Dancing 2: Havana Nights. The sequel is not a perfect movie but that was a good performance.
A Hollywood producer called me and asked me to write a screenplay based on the life of a teenage American girl named JoAnn Jansen. Her father was transferred to Havana in 1958—they moved just in time for the Cuban revolution. I started with that idea. I interviewed a guy who photographed [Fidel] Castro for Life magazine; I talked to the people who were there and I read a lot of books. I thought it was really interesting; I learned a lot about the Cuban revolution I didn't know.
[The producers] wanted a love story, so in my screenplay I made the boyfriend a revolutionary. But [the producers] told me, "We're looking for something more like Dirty Dancing." Dirty Dancing is really good, but it wasn't the kind of movie I thought I could write. The more I tried to make it a love story for teenage girls, the worse it got.
They cleaned it up and it sat on the shelf. About four years later, I got a phone call from the company saying, "You're never going to believe this, but they're making the movie." Turns out that ever since Dirty Dancing came out [in 1987], they've been trying, unsuccessfully, to make a sequel. But no one had figured out how to do it.
Around 2002, Harvey Weinstein calls up the guy I worked with and eventually they say, "Hey, what about this screenplay about Cuba? Put in some dancing, take out the politics and: Dirty Dancing Two! The movie was completely rewritten, there's not a line of dialog that I wrote. But they used my basic story and there are certain things in the movie, mainly the beginning and end, that I came up with. The Writer's Guild decided that I would get half the story credit. I have no complaints about what they did. It's the business and I'm delighted to have been a part of it.
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